The Gift Ending Explained
The Gift Ending Explained - Opening last weekend as a B-movie slated as a spin-off to Fantastic Four and a spin-off to Ricki and the Flash , Joel Edgerton's feature directorial debut The Gift collected impressively respectable numbers, taking in $12 million for its third-place finish . (on a measly $5 million budget, to boot).
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The Gift Ending Explained
It's a well-crafted and effective small-town thriller, set with admirable intentions, acted with vulnerability and precision, executed with honest intensity that results in some devastating scares. And it ends with one of the most confounding twists this side of a 'roughie' since the '60s, a 'twist' so horrific that it nullifies the considerable skill and achievement of what came before it.
This is where you're warned, of course, that spoilers will follow.) And make no mistake about it: until this brutal miscalculation, The Gift is an elegant and effective picture. Rebecca Hall and Jason Bateman play Robin and Simon, a well-to-do couple who move to California after losing a pregnancy.
Once there, they run into Gordo (Egerton), an old school friend of Simon's — a really nice guy, though he seems a little disappointed with him. He keeps showing up at their house ("How did he get our address?") with small gifts. she usually does it when Simon is at work, leaving Robin to keep him safe, but she can't help but be kind.
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Simon has no such inclination, and Edgerton's script enthusiastically shows how this small conflict over how to handle this half-stranger creates a push that causes him to reopen old wounds in the couple's relationship. In fact, his script is much more interested in the "psychological" half of the psychological thriller formula, allowing Robyn and Simon's dysfunction to be revealed through action rather than confession or other less interesting forms of revelation.
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which creates a powerful little mystery around what exactly it is. happened between Simon and Gordo in the past and reminds us how easily and effortlessly we fall back into our previously defined roles - flirting with him but not fully realizing it (especially if you include this ending), a commentary on bullying and the inexplicable
relationship with toxic masculinity. That's not to say Edgerton isn't interested in traditional pleasures (I mean, you know something's going to happen to this dog). He knows how to pause for maximum impact, how to build tension by throwing in a shot of really long hair, how to combine his camerawork with an erratic noise or two to put us in the right frame of mind for Robyn on edge.
(Jason Bloom is one of the producers, and there's something remarkable about how much of his work—that Insidious and Paranormal Activity series, Sinister, The Purge—is wrapped around the basic fear of someone or something in the home. without permission. ) Edgerton carefully threads the needle and feels the pressure not to insert fake scars or get into a certain rush.
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takes its time in an early dinner scene between the three, allowing them to sit awkwardly enough to confuse us as well. Unsurprisingly as an actor-director, he elicits sharp, smooth performances from his cast - and himself, managing to portray Gordo with an uneven and unpredictable mix of enigmatic mystery and open vulnerability.
Bateman may be an unlikely choice, but he works well within that small spot between maddened detachment and smug malice. And Rebecca Hall is a very strong likable heroine, who is always understated and always believable. Make no mistake about it - this is her film, told almost entirely from her point of view.
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It is the focus of almost every scene. Bateman's brief interludes are in the works, but when it comes to moments that matter (like him leaving a "dinner" at Gordo's), the camera stays with her. And perhaps that's why the ending plays such a betrayal: because up until then she seems like an honest-to-God protagonist, before the script reduces her to a piece of property who fears to Simon that Gordo is "marked."
Long story short (and, you know, last chance not to read the big spoiler): while they're at the height of their concern for Gordo, Robyn probably has a meltdown at home. When she comes to him, she and Simon decide to put the whole ugly episode behind them, get their lives together, start a family, etc.
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After having her baby, Simon returns to their home and receives one last set of gifts from Gordo: a copy of the key to their house, a hilarious recording of Simon and Robin joking about Gordo's sexual interest in her, and a gordo video. .
in their home, during her blackout, implying that he attacked her while she was unconscious, and it may have been the newborn baby. (This revelation, by the way, comes as a betrayal/attack on Simon; Robin is barely present in the final scenes.) As far as guys go, she's pretty dumb.
as a critic friend noted in the lobby after the press screening, the film seems willfully ignorant of the existence of DNA testing. But even without that objection, it's still a great button to hang your hat on from the movie—yet another example of (usually male) TV writers and filmmakers using rape as a shock button that you push too often and too carefully.
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In The Gift, he's not crazy and he's not smart. it's simple and cheap. It could also be argued that it is part of the tradition of domestic thrillers that The Gift seems to follow. The Hand That Rocks the Cradle uses sexual assault as a plot point, to pick the most obvious example, and the stories and tension of films like Intrusion and Sleeping with the Enemy are undoubtedly fueled by the threat (overt or not
Robyn Drugged
of rape. . . But they made these movies in a different time, and in a different culture, and for a movie like this, a raw "gotcha" of some kind of bullshit leaves an admirable image with a bitter aftertaste. The Gift stars Jason Bateman (from Hancock), Rebecca Hall (from Vicky Cristina Barcelona) and Joel Edgerton.
This is also Joel's directorial debut. It's the story of Simon (Jason) and Robyn (Rebecca) who move to the suburbs of LA. While setting up they run into Simon's old classmate from school – Gordon (Joel). Gordon a.k.a Gordo is awk.de socially and Simon explains to Robyn how Gordon was called Gordo the Weirdo at school.
While the happy couple tries to make their life in Los Angeles more down to earth, they continue to clash more with Gordo and this begins to reveal more stories from his and Simon's life. This is the plot and ending of the movie that The Gift explained.
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