The Gift Movie Spoiler
The Gift Movie Spoiler - Opening last weekend as a wildly anticipated B-movie opposite the Fantastic Four and Ricki and Flash franchises, Joel Edgerton's directorial debut The Gift posted impressively respectable numbers, earning $12 million for third place (on a $5 million budget, to raise). It is a well-planned and well-functioning high-end house, filled with intentionality, made lean and full, made with honest tension that results in a double fear, a knockout.
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The Gift Movie Spoiler
And it ends with one of the most famous people turning this side of 60 years of using "rough", "whist" so badly that it cancels out a lot of the skill and fulfillment of the previous one. (This is a forewarned section, obviously, spoilers will follow.) And make no mistake about it: by these extreme numbers, The Gift is a beautiful, beautiful film.
Rebecca Hall and Jason Bateman star as Robin and Simon, a lovely couple who move to California after a miscarriage. As soon as they arrive, they run into Gordo (Edgerton), an old school friend of Simon's - a nice enough guy, though there's clearly something a little off about him.
He kept showing up at their house ("How did you get our address?") bearing a small gift; he usually does this when Simon is at work, leaving Robin to protect him, but he can't help but be nice. Simon has no such will, and Edgerton's script carefully shows how this small conflict about how to deal with this stranger in part creates pressure that ends up reopening old wounds in the couple's relationship.
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In fact, his films are more interested in the "psychological" part of the thriller formula, allowing Robin and Simon's dysfunctions to manifest through action rather than confessions or other unsatisfying expressions, which creates a less powerful mystery in reality. happened between Simone and Gordo in the past, reminding us how easily and easily we return to our predefined actions - love, but unfulfilled (especially if you do not consider that it ends), the description of the abuser and her ambiguous relationship with the toxic man.
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Which isn't to say Edgerton isn't interested in casual fun (I mean, you know what's going to happen with that dog). He knows how to combine for maximum effect, how to build tension by letting the shot slow down the long hair, how to combine his flying camera with an inappropriate noise or two to get us right into Robin's mind.
. (no permission.) Edgerton uses the needle carefully and feels pressure not to panic or rush; he takes his place at the early dinner between the three and leaves them sitting precariously enough to make us tingle. It's no surprise that the actor-turned-director, getting sharp, well-crafted performances from his cast—and himself—manages to play Gordo with a wild and unpredictable mix of mystery and vulnerability.
Bateman may seem like a picky eater, but he works well in the slight twist between tense detachment and drudgery. And Rebecca Hall, forever understated and always trustworthy, makes a likable and powerful heroine. Make no mistake - this is his film, told almost entirely from his point of view.
Done Already? A Few More Words Can Help Others Decide If It's Worth Watching
He is the center of everything; There are a few moments of Bateman at work, but when it comes to important moments (like going out to Gordo's "dinner"), the camera stays with him. And maybe that's why the ending plays like such a betrayal: because up until then she seems like an honest-to-God woman, before the script reduces her to the estate that Simon fears Gordo has "rejected."
Long story short (and, oh my, last chance not to read major spoilers): at the height of Gordo's anxiety, Robin has bruises from messing up the house. When she arrives, she and Simon decide to put the whole bad episode behind them, get their lives together, eventually start a family, etc.
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And that's exactly what happens, until things start to unravel and Robin goes into agony. After giving birth, Simon returns to their home to find Gordo's final gift: a copy of the key to their place, a quick shot of Simon and Robin joking about Gordo's love for him, and a video of Gordo.
in their home, in her darkest days, he is seen attacking her while she was unconscious, and perhaps the unborn child was hers. . As revolutions go, it's pretty murky; as a critic friend said in the lobby after the press screening, the film seems to be deliberately unaware of the existence of DNA testing.
Done Already? A Few More Words Can Help Others Decide If It's Worth Watching
But even if there's no objection, it's still a careless button to hang your movie hat on — another example of (usually male) TV writers and actors using violence as a hot button pushed too hard and carelessly. In Gift, it is not slippery, and it is not clever;
it's just cheap. It's still, arguably, as much a part of the domestic thriller tradition as The Gift ends up being; Hand Shaking Eggs uses sexual violence as a plot point, to choose an obvious example, while the story and tension of films like Intruder and Sleeping With the Enemy are undoubtedly motivated by the terror (whether express or otherwise) of rape.
But those films were made in different times and in different cultures, and for such a film to be successful, there is some bad, bad "gotcha" that leaves the picture differently appreciated and with an aftertaste. When you make a purchase using links on our site, we may receive a commission.
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Here's how it works. Note: Random gifts are in play. If you haven't seen the movie, and you really should, please bookmark this page and wait until you see it before reading on. Unless spoilers are your thing, in which case they are. With all the sleeper action coming to the end of the summer, Joel Edgerton's The Gift had a very successful second week.
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Part of that is probably due to strong word of mouth, but much of its success has to be attributed to Edgerton's dark powers as not only a co-star in the film, but also as the writer and first director of a film that explores harassment in a Hitchcockian way.
until its terrifying climax, the events of the film are covered. The end of "The Gift" raises the big question of whether Robin's child born to Simon Bateman and Rebecca Hall was fathered by Robin's husband, or would-be rapist, Gordo (Edgerton). While we are presented with concrete evidence that Gordo may be the father, there are hints scattered throughout the film's story that the actor is playing with Simon's head - as punishment for the rumors Simon has spread over the years.
to many difficulties. So who's the baby daddy and who's going to be crazy? Prepare to unleash the truth with us as we open the greatest gift. The story of Gordo's surprise paternity is what the film hinges on in the third act, so let's break down the details of his actions first.
In the gift package left for Simon when he returned home from the hospital, there were three items: a house key; audio recording of Simon and Robin's conversation at Gordo's "house", revealing his plan to steal Simon's wife and impregnate her; and Gordo video clips.
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