The Gift Movie Plot
The Gift Movie Plot - As Criticwire noted last week, Joel Edgerton's "The Gift," whose main claim to fame was previously an advanced ad campaign that blurred the line between viral buzz generation and outright stalking, became one of the best-reviewed films of 2015. : It currently ranks #28 on Rotten Tomatoes' annual rankings.
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The Gift Movie Plot
Yet once the opening weekend passed, it became clear that the finale of 'The Gift' was hitting a seriously sour note for some critics and moviegoers alike, in some cases turning what was previously praise or amusement into white-hot rage. had given Edgerton, in his feature film directorial debut, is a steady hand behind the camera, slowly tightening the screws as the film constantly shifts audience allegiances, and as deftly as none other than David Toohey, our sense of who the lead might be.
Also. The Perfect" Run Away." We begin by sympathizing with Jason Bateman's Simon, who has moved closer to his childhood home to start a new job, and especially his wife Robin, a designer, who is taking time off to recover from a miscarriage and try to conceive another child.
And we're haunted by Edgerton's Gordon, Simmons' high school classmate, who seems to harbor a grudge about being wronged (or perceived to be wronged). This is a film that can get you started. What could be the sound of footsteps in a light-filled California home, where you're constantly aware of the edge of the frame and what might be lurking outside.
Plot Summary
Edgerton isn't afraid of backflips, but he doesn't rely on them either, preferring to build tension slowly and subtly, as we're never sure if the real threat comes from Gordon or Simon's reaction to it. And then, just as “The Gift” is lining up his knockout punch, the bottom will drop.
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We realize by now that, far from being a victim, Simon is and always has been a delicate manipulator: in high school, when he starts a malicious rumor about "Gordo the Weird" that ruins his life; and as an adult, where he creates evidence to sabotage his opponent for a professional promotion.
Though "The Gift" doesn't make much of it, there's a clear resonance between Simon's penchant for information manipulation and his work in the digital security industry.) We get the sense that he's enlightening Robin, and that maybe she's attracted to him. Because he is a recovering drug addict and therefore prone to suspicion.
Simon was one step away from getting everything he wanted: a top job, a beautiful wife who could be persuaded to give up her career, and the child she was once again carrying to raise. But as Robin's pregnancy reaches full term, she begins to realize who Simon is and wants no part of it.
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Still lying in her hospital bed after giving birth, she tells Simon that their marriage is over, and she returns the latest in a series of gifts that Gordon has left at her house since the beginning of the film - and that's when things get really messy.
Along with a shrink-wrapped fanny pack, the package contains a DVD showing Gordon breaking into the couple's home, drugging Robin and getting into bed with her, with the implication that he raped her and may be the father of her newborn. Son James Gordon has to live with the malicious rumors Simon started about him in high school, just as Simon has to live with the knowledge that his wife may have been raped, a "poison in your mind" that never goes away.
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Of course, Gordon says, he didn't go through with it. But maybe he did. Our anti-spoiler culture doesn't allow first-wave reviewers to discuss the film's plot in depth, especially the tension it relies on and twists as much as "The Gift," but the few critics who did talk about the films also hinted that its
The end may be booby-trapped. (ScreenCrush's Matt Singer raised a red flag, and The Playlist's Katie Walsh warned that "Robin, the emotional core of the entire film, is reduced to a battlefield of psychological vengeance between two men.") But once opening night passed, the waves arrived.
The Ending
gone off Mary Sue's Rebecca Pehl wrote that after nicely maintaining the ambiguity of whether Simon or Gordon is the film's villain, "the twist takes 'The Gift' into the same old territory. Creepy Gordo is a monster. And Simon becomes his victim again. He might lie and manipulate his wife, but hey, he's never sexually assaulted anyone! And he's never faced the fact that his behavior is wrong... And Robin, whose
has developed the most. At this point, it has been demoted to an object that two people can argue over. He gave a compelling and haunting performance. His actors bring these deeply flawed characters to life, creating tension and drama in a miraculous way. does a great job of building to a climax. And then it throws it all away with the kind of conclusion you'd expect from mindless soap operas. It ruins the entire film in its final moments, leaving this critic disgusted. And Flavorwire's Jason Bailey concluded
As far as twists go, it's pretty stupid; As a critic friend noted in the lobby after the press screening, the film purposefully ignores the existence of DNA testing. But even without that objection, it's still a mighty sleazy button to hang your film hat on - just another example of (usually male) TV writers and directors using rape as a shock button that's pressed far too often and too carelessly.
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In "The Gift," he's not creepy and he's not smart; It's just cheaper. It is also, one might argue, part of the domestic thriller tradition that "The Gift" seems to be modeled after; To take the most obvious example, 'The Hand That Rocks the Cradle' uses sexual assault as a plot point, while the narratives and tension of films like 'Unlawful Entry' and 'Sleeping with the Enemy' are undoubtedly fueled by the threat (rape is obvious).
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No. But they made those films in a different era and in a different culture, and for a film like this to stretch it as kind of crude, the shitty "gotcha" leaves an otherwise admirable picture with a decidedly sour aftertaste. The ending is a huge mistake, and I wonder why this movie wasn't left for the dog days of August. But I don't think it's catastrophic enough. For one thing, it's pretty clear that Gordon is, in fact, over Robin.
didn't get raped. It doesn't fit the tone of the film, which is grim but not entirely trashy, and it doesn't fit its intent, which is to visit Simon with the same kind of imaginary horror that high school gives him. If Simon is more sincere
If the guy were, Gordon points out, he would be able to believe Gordon when he says he didn't. But Simon has built his life on deception and simple trust is beyond his reach. (You could argue, as some colleagues have, that it wouldn't matter if Gordon had raped Robin, and that's certainly true of "The Gift," which exploits the threat of rape as a plot device. But
It makes at least some difference to how we make sense of Gordon's character, if we're to know exactly what kind of monster he is.) As for the climax of diverting attention away from Robin, I'd say that "The Gift" is constantly elusive as to whether its protagonist really is.
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