The Gift Movie Ending Explained
The Gift Movie Ending Explained - As Criticwire noted last week, Joel Edgerton's "The Gift," previously known as a progressive ad campaign, came close to crossing the line between viral buzz and outright stalking, becoming one of the best-reviewed movies ever. 2015: It is currently ranked #28 on Rotten Tomatoes. And yet, after the opening weekend, it is clear that the end of "The Gift" has deeply upset some critics and viewers, in some cases turning what was once praise or joy into white rage.
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The Gift Movie Ending Explained
Edgerton, in his debut, has a certain hand behind the camera, a film that constantly changes the audience's loyalty, and even our sense of who the protagonist is, escape from "The Perfect." David Twohey's for sure. We begin to sympathize with Jason Bateman's Simon, who returns to his childhood home to start a new job, and especially his wife Robin, a designer who takes it easy as the couple recovers from a miscarriage and tries to have another child.
We are wooed by Edgerton's Gordon, Simon's high school friend, who seems to harbor grudge against some mysterious past (or misrecognition). It's a movie that makes you start thinking about what it's like to step inside a light-filled California house, where you're always aware of the edges of the frame and what's outside.
Edgerton isn't afraid of jump scares, but he doesn't rely on them, preferring to build tension slowly and uncertainly because we're never sure if the real threat comes from Gordon or from Simon's reaction to him. And then, just like the "gift" line punched up, the bottom came out.
Plot Summary
By now, we realize that Simon has always been a manipulative creep, rather than a victim: in high school, when he started malicious rumors about "Gordo the Weirdo" who had ruined his life; And as an adult, he invented evidence to destroy his opponents to promote the profession.
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Although the "gift" is not worth as well, there is a good resonance between Simon's manipulation of information and his job in the digital security sector.) We realize that he is gasping Robin and he may be drawn. For her in the first place because she is a recovering addict and therefore suffers from self-doubt.
Simon is far from having everything he wants: a top job, a beautiful wife who Can be trusted to give up her career and raise the child she has in her womb again. But when Robin gets pregnant, she starts to realize who Simon is and she wants no part of it.
Still in her hospital bed after giving birth, she tells Simon that their marriage is over, and he delivers the last gift that Gordon has left at their house since the beginning of the movie - and that's when things really get complicated. . Along with the fallen baby carrier, the set contains a DVD showing Gordon entering the couple's home, drugging Robin unconscious and crawling into bed with her, while he sexually assaults her and fathers her newborn child.
Why Is Seder After Atiye?
Sons like Gordon have to live with the dangerous rumors that Simon started about him in high school, Simon has to live with the knowledge that his wife might be raped, the "poison in your heart" never goes away. Of course, Gordon said, he didn't really go through with it.
But maybe he did. Our romantic culture does not allow first-wave reviewers to discuss the film's story in depth, especially those based on tension and twists as "gifts", but some critics who spoke about the film pointed this out. Its tip may be trapped in the booby.
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ScreenCrush's Matt Singer threw up a red flag, and Playlist's Katie Walsh warned, "Robin, the emotional protagonist throughout the film, is reduced to a battlefield of emotional revenge between two men.") But when opening night passed, the gloves came. Closed. Mary Sue's Rebecca Pahle wrote, "The twist on 'The Gift' returns to old territory," after keeping Simon or Gordon's predicament as the film's villain.
Creepy Gordo is a monster. And Simon will still be a victim. He may be a bully who lies to his wife and uses his temper, but hey, he never bullies anyone! And he never faced the fact that his behavior was wrong... and Robin, who was the most developed so far, was reduced to something that the two could fight.
The Ending
At Comic Book Resources, Christy Puchko said, "Edgerton has created an interesting concept. He gives a fascinating and terrifying performance. His actors do a fantastic job of bringing these deeply flawed characters to life, building tension and drama to astonishing heights. And then he ends them with the ending you'd expect from a brainless soap opera. He fouled the whole movie in its final moments, much to the chagrin of this critic. And Jason Bailey of Flavorwire concluded: As far as twists go, it's stupid. A lot; as a critic friend noted in the lobby after the press screening, the film seems to have no intention of ignoring the existence of DNA testing. But even without that objection, it is still a powerful button to hang your movie hat on - another example of TV writers and filmmakers (usually men
that uses rape as a shock button that is pressed too often and recklessly. In "The Gift," it's not creepy and it's not clever; it's just cheap. It, too, can be argued to be part of the tradition of domestic thrillers that "The Gift" appears to be modeled on;
The Hand That Rocks the Cradle" uses sexual abuse as a plot point to choose the most obvious example, while the narrative and tension of films like "Illegal Entry" and "Sleeping with the Enemy" are argued by the threat (apparent or otherwise) of rape. But they made those movies at a different time, and in a different culture, and the kind of crude, bullshit "gotcha" for movies like this leaves an admirable movie with a sour taste.
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The ending of "Gift" is a serious mistake, and I wonder if it is not the reason that the film was sent to the Dog Days of August. But I don't think it's too disastrous. For one thing, it is very clear that Gordon did not rape Robin.
Where To Watch?
It doesn't fit the tone of the movie, it's uncomfortable but not completely batshit, and it doesn't mesh with his intention to visit Simon in high school with any kind of imaginary fear. While Simon is more honest, he says he can trust Gordon when Gordon says he can't.
But Simon has built his life on deception and simple trust is beyond his understanding. (As some colleagues have said, you could argue that it doesn't matter if Gordon rapes Robin, and that was true until "The Gift," which uses the fear of rape as a plot device. But at least it makes a difference to how we understand Gordon's character, if only to know what kind of monster he is.) From Robin for the climax that steals attention, I would argue that "The Gift" is quite a bit too much about its characters.
It's a film about perspective, about what we see and don't see, both consciously and unconsciously. (What is that shape in the dark?) and in the form. Edgerton often uses the trick of ending scenes in medias res and then making us question how they ended.
After Robin leaves her house, the movie cuts to her waking up the next morning, and we thought she was awake enough to drag herself to sleep - the last minutes of the movie proved us very wrong. Similarly, the confrontation between Simon and Gordon ends up on the parking lot floor, embarrassing but seemingly harmless.
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